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In a historic first, CNN will broadcast a live performance of a Broadway show on Saturday. ‘Good Night, and Good Luck,’ a stage adaptation of George Clooney’s 2005 film, stars the actor as CBS newsman Edward R. Murrow.
ReviewAnother act of vandalism in downtown L.A. as Robert O’Hara defaces ‘Hamlet’ at the Taper
Director Robert O’Hara’s noir version of ‘Hamlet,’ starring Patrick Ball and premiering at Mark Taper Forum, audaciously but incoherently toys with Shakespeare’s tragedy.
Cole Escola’s ‘Oh, Mary!’ is the front-runner in the Tony Award race for best play. But in one of the strongest playwriting categories in years, Branden Jacobs-Jenkins’ ‘Purpose’ deserves to win.
For L.A. Theatre Works producing director Susan Albert Loewenberg and managing director Vicki Pearlson, the company’s legacy of audio drama holds new potential in the age of podcasting and audio books.
Michael Arden could follow his Tony win for directing ‘Parade’ with another Tony this year for ‘Maybe Happy Ending.’ Coming next: ‘The Queen of Versailles’ with Kristin Chenoweth and ‘The Lost Boys.’
ReviewSimply impeccable: This musical at A Noise Within in Pasadena shines with understated excellence
The tale of a Dublin bus conductor with a yen for Oscar Wilde drives this fantastic revival of ‘A Man of No Importance,’ from the ‘Ragtime’ team of Terrence McNally, Stephen Flaherty and Lynn Ahrens.
Playwright Kimberly Belflower and director Danya Taymor reveal how the Tony-nominated play ‘John Proctor Is the Villain’ made it to Broadway, with help from ‘Stranger Things’ star Sadie Sink and pop star Lorde.
Elizabeth Reaser and Jason Butler Harner star in the Pasadena Playhouse production of ‘A Doll’s House, Part 2,’ the clever Lucas Hnath comedy that earned Laurie Metcalf a Tony on Broadway.
In ‘Lessons From My Teachers,’ playwright Sarah Ruhl finds wisdom in art, motherhood, even grief
Sarah Ruhl treats the world as her classroom, deriving spiritual lessons along with practical wisdom about life and art in a compelling new book.
Playwright Nassim Soleimanpour’s global hit ‘White Rabbit Red Rabbit,’ a theatrical experiment swathed in mystery, opens at the Fountain Theatre with a different actor handed the script right before curtain.
